Shop is Open

My new ETSY shop LabyrinthbyKE is finally open! New pieces will be posted daily. Make sure to check it out.

Here's the limited release of "Heritage Calla Lily"...

...and here is "Caffeine Love"

Enjoy and have an adventurous day!

Felt 3: Fiber Art and Feminism

"What is art?" This is a big question surrounding fiber arts and other media associated with handicraft.

Crazy Quilt c.1900 (Antiques Roadshow)

Quilting, embroidery, needlework, china painting, and sewing ("women's work" in the modern western tradition) are often not deemed artistic equivalents to the grand mediums of painting and sculpture. This women's creativity is labor-intensive yet devalued as domestic and feminine, where it becomes invisible and described as non-productive.

After the industrial revolution, women started to sew less because it became more affordable to purchase well-made clothing from stores. Enter retail message strategy: sewing makes you feminine and graceful. An attractive thrifty wife and good mother sews.

Fiber art did take a feminist turn during the Suffrage Movement where women were making embroidered banners for their protests. The term "fiber art" came into use by curators and art historians to describe the work of the artist-craftsman following World War II, with a sharp increase in the design and production of "art fabric." In the 1950s, as the contributions of craft artists became more recognized—not just in fiber but in clay and other media—an increasing number of weavers began binding fibers into nonfunctional forms as works of art.

The 1960s and 70s brought an international revolution in fiber art. Beyond weaving, fiber structures were created through knotting, twining, plaiting, coiling, pleating, lashing, and interlacing. The women's movement was important in contributing to the rise of fiber art because of the traditional association of women with textiles in the domestic sphere. Many of the most prominent fiber artists are women, and they sought to elevate “women’s craft” to the level of “high art,” and away from its derogatory designation as “low art” or “kitsch.” As Lucy Lippard explained in her 1973 essay, “Household Images in Art,” previously women artists had avoided “‘Female techniques’ like sewing, weaving, knitting, ceramics, even the use of pastel colors (pink!) and delicate lines—all natural elements of artmaking,” for fear of being labeled “feminine artists.” The Women’s Movement changed that, she argued, and gave women the confidence to begin “shedding their shackles, proudly untying the apron strings—and, in some cases, keeping the apron on, flaunting it, turning it into art.”

by Michelle Kingdom

Since the 1980s, fiber work influenced by postmodernist ideas has become more and more conceptual. In addition to long-standing experimentation with materials and techniques, this brought a new focus on creating work which confronted cultural issues such as: gender feminism; domesticity and the repetitive tasks related to women's work; politics; the social and behavioral sciences; material specific concepts, etc.

by Laura Bowman

The Subversive Stitch feminist by art historian Rozsika Parker and exhibits which incorporated two shows called 'Embroidery in Women's Lives 1300-1900' and 'Women in Textiles Today' were influential on public opinions about fiber art forms. Most historical studies of embroidery had concentrated on questions of style and technique. These exhibitions tracked the idea of femininity that was forced upon women through embroidery from medieval times, when it was considered a high art form practiced by both men and women, to its current denotation as a 'feminine craft'. Adding names and dates to the creation of the objects thrust them into the fine art world again.

Felt 1: History
Felt 2: Adult Felt and Fibers

Felt 1: History

I love working with felt. Of all artistic mediums, it is one of the most ecofriendly. It is also the oldest form of fabric known to mankind. There have been fascinating finds from the prehistoric Neolithic period (6500-6300 B.C), along with the Bronze and Iron Ages.

Felt, leather, fur, hair and gold Scythian saddle cover dating 305-288 BCE.

Felt is good at keeping people warm and dry, so people all over Asia and Europe have used felt. Roman soldiers used felt pads as armoured vests, felt tunics, felt boots, and felt socks. By about 500 AD, the Vikings, further north, made felt blankets too. Nomadic tribes in central Asia are known to have worked together in communities to produce felt tents (yurts) and blankets.

Yurt via The Travelling Teacher http://welshmattsmith.blogspot.com/2011/10/kazakhstan-first-yurt.html

The felting process from ancient times is still used today, and it is how I create my custom felt pieces. An aesthetic link through millennia of human experience, felt has a beautiful versatility that allows it to be an exciting medium to invent and create with today. For inspiration see these beautiful sculptures from one of my favorite artist, Marjolein Dallinga.

Red Moss Sculture by Marjolein Dallinga

Felt 2: Adult Felt Fibers

Felt 3: Fabric Art and Feminism